- Nancy drew the captive curse girls sheet music serial#
- Nancy drew the captive curse girls sheet music series#
She took a particular interest in Nancy Drew and is today regarded as the character's primary author/editor, along with Mildred Wirt Benson.
Nancy drew the captive curse girls sheet music series#
Harriet Stratemeyer, or Harriet Stratemeyer Adams as she was known throughout the bulk of her editorial career, then took over stewardship of her father's flagship series of adolescent mysteries. Unable to find a suitable buyer for their late father's empire, Edna agreed to let Harriet purchase her share and assume leadership of the company. After Stratemeyer's sudden death later that same year, ownership of his company passed to his two daughters, Harriet and Edna.
Nancy drew the captive curse girls sheet music serial#
Seeking a corresponding heroine to appeal to the underdeveloped market for girl's serial fiction, Stratemeyer conceived of his infamous girl detective and, in 1930, the Nancy Drew series debuted with The Secret of the Old Clock. While these series proved popular, the arrival of The Hardy Boys in 1927 provided a substantial boost to sales. Following the positive reception of The Rover Boys, Stratemeyer introduced subtle variations on the theme, with the Bobbsey Twins and Tom Swift series following in short order. Further, each book would adopt a standard methodology in regards to how the stories' plots were structured and ultimately resolved.
In reality, each series would be the product of a variety of writers, called "half-ghosts" by Stratemeyer, since he provided authors with plot outlines and extensive editorial oversight. Dixon was the moniker assigned to The Hardy Boys. Among these conventions were the unique pseudonyms that would follow each series-Carolyn Keene became the fictional author of Nancy Drew, while Franklin W. That series evinced many of the characteristic conventions that would later become Stratemeyer hallmarks. To that end, he began his inaugural series, The Rover Boys, in 1899. Recognizing the wide appeal of dime novels and so-called penny dreadfuls, his concept was to market serial fiction solely to the children's market. A fan of the pulp novels of the late nineteenth century, Stratemeyer hoped to tap into the relatively open market for popular genre fiction in the United States. The various Nancy Drew series have been authored by dozens of ghostwriters, each author being disguised by the pseudonym "Carolyn Keene." Edward Stratemeyer, director of the Stratemeyer Syndi-cate-an early twentieth-century publishing group-is credited with originating the character of Nancy Drew. Still relevant to readers over seventy years after her initial debut, Nancy Drew is currently the lead protagonist in a number of concurrent mystery series targeting a variety of audiences, including the "Nancy Drew Files," "Nancy Drew on Campus," "River Heights," "Nancy Drew Notebooks," and "Nancy Drew & Hardy Boys Supermysteries" series, among others.
While not the sole female detective in juvenile literature, Nancy Drew has endured as the genre's preeminent girl detective, while many of her early contemporaries and upstart rivals have faded into obscurity. While Nancy has evolved throughout her lengthy sleuthing career and has seen her exploits charted by a myriad of ghostwriters, she remains, in the words of Anne Scott MacLeod, "the very embodiment of every girl's deepest yearning … an image that combines the fundamental impulse of feminism with utter conventionality." Her novels blend mystery, adventure, and gothic settings, often obeying the familiar series fiction pattern where events proceed in similar orders, a formula that breeds comfort between reader and text. Courageous, daring, and fully autonomous in an era when such characteristics were frowned upon in young ladies, Nancy Drew is regarded by many as the vanguard of a new frontier in juvenile girl's literature. Begun in 1930 by the Stratemeyer Syndicate as a female counterpart to their earlier "Hardy Boys Mystery" series, Nancy Drew was an immediate hit with her primarily adolescent female readership. Starring an independent-minded young woman with a passion for crime-solving, the various incarnations of the "Nancy Drew Mysteries" have sold over two hundred million copies worldwide over their seventy-five year lifespan and are often credited with espousing a prototype of juvenile feminism. The following entry presents commentary on the "Nancy Drew" juvenile novel series (1930–2006), written under the pseudonym "Carolyn Keene," through 2003.
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